3/28/2023 0 Comments Ircam spat![]() ![]() ![]() ![]() In both cases, a new source is automatically created in the 3d environnement.įrom this device, user can configure the perception of the source through a large number of parameters. The process is straight and simple, and allows to capture improvised work as precisly written content as well.ĭrag and drop the device directly into Ableton to create a new track, or onto an already existing track. It works as a multichannel bus, so spatial audio is processed through this devices.įeatures : Input/output monitoring, play as a sound field stream or in Binaural (kemar), unlimited configuration up to 62 channels (Ableton limitation), dynamic autofilling output routing channel, factory layout presets, load and save custom layout as user preset, spat spatialization type supported (angular, vbap2d/3d, hoa2d/3d etc.), 4 virtual rooms, dynamic output routing, audio tester, record in multichannel format, hoa components and playback recorded files.įrom this device, it's possible also to record the current multichannel audio stream as multichannel interleaved file, and hoa encoded stream (in the case of hoa spatialization type). Basically, with a dynamic architecture, this device gives access to Ircam spat~ capabilities inside the Ableton/max-for-live environnement. The xp4l.engine device is an important piece of xP. Max For Live Devices xp4l.visualįeatures :It works as remote controler for the standalone from Ableton : Full synchronization with xp4l.app (open and close the standalone), choose among 4 different camera mode, customize 3d elements of the scene, trigger hi-res screen shot of the 3d scene, take hi-res screen-shots of the scene, audio-reactive cue, save & load configuration as user preset xp4l.engine Xp4l should not be considered as a suite of tools but as an interconnected system that hybridizes Ableton turning it into a spatial sound processor, while keeping what makes its workflow unique: a clever balance in the direction of artistic creativity and live spontaneity. It doesn't requires any max coding and only a little configuration is expected from the users, so they can almost immediatly dedicate their time to content design. On the other hand, a large part of the system relies on a specific standalone using the jitter library that replaces the usual spat gui, adding other functionnalities and offering promising potentials for further updates.Īll the system is dynamic and flexible up to 62 channels output (Ableton limitation). xp4l provides Ableton users with a solution that will alleviate this problem. Although possible before xp4l existed, accessing the library from Ableton Live in the max-for-live environment through a flexible format by users was made complex, and this fact deprived the majority of creators from taking advantage of this incredible tool. Therefore, xp4l is intended for past, new or future users of the Spat~ library. The project is partly based on Ircam Spat~ library, the iconic max-msp object library unique for its ability to simulate virtual acoustic spaces and sound perception in 3d dimensions. In partnership with the SAT of Montreal, and under the name of ' symbiosis', this short residency had as objective to improve in a context of immersive audio-visual creation such as the 'Satosphere' interactions between spatialized sound and generative visual synthesis.įrom new perspectives and thoughts borned during this residency, and the occurrence of the pandemic, Eric Raynaud reoriented the project in a more systemic and creative approach, offering possibilities of democratization of spatial sound practice while making the link to the generative synthesis through a jitter context that is used to manage the geometric components of the sound field. The xp project is initiated in 2019 durig the artistic research residency at ircam of Eric Raynaud. ![]()
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